The Cultural Case For Neon

Parliament is not usually the stage for design debates. Policy, economics, foreign affairs. Yet in May 2025, the subject was neon. Ms Qureshi, brought heritage into the chamber. Her message was clear: best neon lights hand-bent glass filled with noble gas is artistry. She warned against plastic imitations, noting they erase tradition. If it is not glass and gas, it is not neon. Chris McDonald, MP for Stockton North, positioning neon as regional creativity. Cross-party nodding followed.

Data told the story. The UK now counts fewer than thirty artisans. No apprentices follow. Without action, the tradition could vanish. Ideas were floated for a protection act, modelled on Champagne. Preserve authenticity. Even the DUP weighed in, bringing a commercial lens. Neon remains a growth sector. His point: this is not nostalgia but business. Closing remarks came from Chris Bryant, Minister for Creative Industries. He allowed himself puns, drawing laughter.

Yet beneath the levity, he admitted neon’s value. He cited neon’s cultural impact: Walthamstow Stadium’s listed sign. He emphasised longevity. What is at stake? The risk is confusion. Consumers are misled. That threatens heritage. A question of honest labelling. If Harris Tweed must be Hebridean, then neon should mean glass and gas. This was about identity. Do we trade individuality for convenience? At Smithers, best neon lights the stance is firm: real neon matters. The Commons was illuminated.

The protection remains a proposal. But the case is stronger than ever. If MPs can recognise craft, so can homeowners. Reject plastic strips. Choose neon.


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