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<br>The Commons is rarely a forum for craft. Budgets, healthcare, international relations. Yet in May 2025, MPs were talking about light. Yasmin Qureshi, Labour MP for Bolton South and Walkden, brought heritage into the chamber. Her message was uncompromising: real neon is both craft and culture. She contrasted it with cheap LED substitutes, noting they erase tradition. If it is not glass and gas, it is not neon. Chris McDonald, MP for Stockton North, positioning neon as regional creativity.<br><br>Cross-party nodding followed. Data told the story. From hundreds,  buy neon lights the number has fallen to a few dozen. The pipeline of skills has closed. Without action, the tradition could vanish. Qureshi proposed legal recognition, like Cornish pasties. Protect the name. Support also came from Jim Shannon, DUP, bringing a commercial lens. Reports show 7.5% annual growth. His point: authentic craft has future potential. Chris Bryant concluded the session. He played with glow metaphors, earning heckles.<br><br>Yet beneath the levity, he admitted neon’s value. He listed Britain’s neon landmarks: Piccadilly Circus billboards. He suggested neon is unfairly judged on eco terms. Why the debate? The risk is confusion. LED products are marketed as neon. That diminishes value. A question of honest labelling. If Champagne must be French, then craft deserves recognition. The debate mattered beyond signage. Do we accept homogenised plastic across every street?<br><br>We hold no doubt: real neon matters. So yes, Parliament discussed neon. The protection remains a proposal. But the campaign is alive. If Westminster can defend glow, so can we all. Skip LED pretenders. Choose neon. <br><br><br>If you cherished this article so you would like to acquire more info regarding [https://45.76.249.136/index.php?title=User:FranchescaBodnar LumoLite Custom Neon] please visit the web site.
<br>The Commons is rarely a forum for craft. Budgets, healthcare, international relations. On a spring evening this year, the subject was neon. Labour’s Yasmin Qureshi, best neon lights brought heritage into the chamber. Her message was clear: hand-bent glass filled with noble gas is artistry. She warned against plastic imitations, saying they undermine public trust. Only gas-filled tubes deserve the title. Chris McDonald, MP for neon lights for sale Stockton North, speaking of local artists.<br><br>There was broad recognition. Numbers framed the urgency. The UK now counts fewer than thirty artisans. No apprentices follow. Without action, the tradition could vanish. Qureshi proposed legal recognition, similar to Harris Tweed. Preserve authenticity. From Strangford, Jim Shannon rose, bringing a commercial lens. Forecasts predict $3.3bn market by 2031. His point: authentic craft has future potential. Chris Bryant concluded the session.<br><br>He played with glow metaphors, lightening the mood. Yet beyond the humour, he recognised the seriousness. He cited neon’s cultural impact: Piccadilly Circus billboards. He argued neon can outlast LEDs. What is at stake? The answer is authenticity. Consumers are misled. That erodes trust. It is no different to whisky or Champagne. If Champagne must be French, then craft deserves recognition. This was about identity.<br><br>Do we accept homogenised plastic across every street? We hold no doubt: authentic glow endures. The Commons was illuminated. The Act is still to come. But the case is stronger than ever. If Westminster can defend glow, so can we all. Look past cheap imitations. Support artisans. <br><br><br>If you enjoyed this short article and you would like to get more facts relating to [https://www.gilcompany.co.kr/bbs/board.php?bo_table=free&wr_id=301562 lighting that draws attention] kindly browse through our web page.

Version du 10 novembre 2025 à 08:53


The Commons is rarely a forum for craft. Budgets, healthcare, international relations. On a spring evening this year, the subject was neon. Labour’s Yasmin Qureshi, best neon lights brought heritage into the chamber. Her message was clear: hand-bent glass filled with noble gas is artistry. She warned against plastic imitations, saying they undermine public trust. Only gas-filled tubes deserve the title. Chris McDonald, MP for neon lights for sale Stockton North, speaking of local artists.

There was broad recognition. Numbers framed the urgency. The UK now counts fewer than thirty artisans. No apprentices follow. Without action, the tradition could vanish. Qureshi proposed legal recognition, similar to Harris Tweed. Preserve authenticity. From Strangford, Jim Shannon rose, bringing a commercial lens. Forecasts predict $3.3bn market by 2031. His point: authentic craft has future potential. Chris Bryant concluded the session.

He played with glow metaphors, lightening the mood. Yet beyond the humour, he recognised the seriousness. He cited neon’s cultural impact: Piccadilly Circus billboards. He argued neon can outlast LEDs. What is at stake? The answer is authenticity. Consumers are misled. That erodes trust. It is no different to whisky or Champagne. If Champagne must be French, then craft deserves recognition. This was about identity.

Do we accept homogenised plastic across every street? We hold no doubt: authentic glow endures. The Commons was illuminated. The Act is still to come. But the case is stronger than ever. If Westminster can defend glow, so can we all. Look past cheap imitations. Support artisans.


If you enjoyed this short article and you would like to get more facts relating to lighting that draws attention kindly browse through our web page.