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<br>Parliament is not usually the stage for design debates. Policy, economics, foreign affairs. On a spring evening this year, the subject was neon. Yasmin Qureshi, Labour MP for Bolton South and Walkden, brought heritage into the chamber. Her message was direct: authentic neon is cultural heritage. She criticised the flood of LED strips, saying they undermine public trust. Only gas-filled tubes deserve the title. Chris McDonald, MP for Stockton North, sharing his own commissioning of neon art in Teesside.<br><br>There was broad recognition. Data told the story. The UK now counts fewer than thirty artisans. No new entrants are learning. Without action, the tradition could vanish. Qureshi proposed legal recognition, like Cornish pasties. Protect the name. Support also came from Jim Shannon, real neon signs DUP, bringing a commercial lens. Neon remains a growth sector. His point: authentic craft has future potential. The final word fell to Chris Bryant.<br><br>He played with glow metaphors, drawing laughter. Yet beyond the humour, he admitted neon’s value. He cited neon’s cultural impact: Tracey Emin’s installations. He argued neon can outlast LEDs. Why the debate? The answer is authenticity. Craft is undermined. That diminishes value. It is no different to whisky or Champagne. If Champagne must be French, then signage should tell the truth. This was about culture.<br><br>Do we allow heritage skills to disappear? At Smithers, the stance is firm: real neon matters. Westminster glowed for a night. No law has passed yet. But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Look past cheap imitations. Support artisans. <br><br><br>Should you have virtually any issues regarding in which in addition to how to employ [http://chaega.co.kr/bbs/board.php?bo_table=free&wr_id=52866 Signs & Lights Studio], you possibly can call us with our own web site.
<br>The Commons is rarely a forum for craft. Budgets, healthcare, international relations. Yet in May 2025, the glow of signage took centre stage. Labour’s Yasmin Qureshi, delivered a striking intervention. Her message was direct: authentic neon is cultural heritage. She criticised the flood of LED strips, arguing they dilute the name neon. If it is not glass and gas, it is not neon. Another Labour voice joined, trending real neon lights sharing his own commissioning of neon art in Teesside.<br><br>The benches responded warmly. Statistics gave weight to the passion. From hundreds, the number has fallen to a few dozen. No new entrants are learning. Without action, Britain could lose neon entirely. Qureshi proposed legal recognition, similar to Harris Tweed. Preserve authenticity. From Strangford, Jim Shannon rose, adding an economic perspective. Reports show 7.5% annual growth. His point: this is not nostalgia but business. Closing remarks came from Chris Bryant, Minister for Creative Industries.<br><br>He allowed himself puns, lightening the mood. Yet beneath the levity, he acknowledged the case. He listed Britain’s neon landmarks: Walthamstow Stadium’s listed sign. He suggested neon is unfairly judged on eco terms. Where lies the problem? The risk is confusion. LED products are marketed as neon. That diminishes value. Comparable to food and textile protections. If Champagne must be French, custom neon lights for rooms then neon should mean glass and gas.<br><br>The debate mattered beyond signage. Do we allow heritage skills to disappear? At Smithers, the stance is firm: authentic glow endures. So yes, Parliament discussed neon. The protection remains a proposal. But the case is stronger than ever. If MPs can recognise craft, so can homeowners. Look past cheap imitations. Support artisans. <br><br><br>When you adored this information as well as you wish to obtain more details relating to [https://www.upcollective.org/2021/08/31/8-facts-about-neon-lights/ NeonCrafts Studio] generously check out our webpage.

Dernière version du 11 novembre 2025 à 20:07


The Commons is rarely a forum for craft. Budgets, healthcare, international relations. Yet in May 2025, the glow of signage took centre stage. Labour’s Yasmin Qureshi, delivered a striking intervention. Her message was direct: authentic neon is cultural heritage. She criticised the flood of LED strips, arguing they dilute the name neon. If it is not glass and gas, it is not neon. Another Labour voice joined, trending real neon lights sharing his own commissioning of neon art in Teesside.

The benches responded warmly. Statistics gave weight to the passion. From hundreds, the number has fallen to a few dozen. No new entrants are learning. Without action, Britain could lose neon entirely. Qureshi proposed legal recognition, similar to Harris Tweed. Preserve authenticity. From Strangford, Jim Shannon rose, adding an economic perspective. Reports show 7.5% annual growth. His point: this is not nostalgia but business. Closing remarks came from Chris Bryant, Minister for Creative Industries.

He allowed himself puns, lightening the mood. Yet beneath the levity, he acknowledged the case. He listed Britain’s neon landmarks: Walthamstow Stadium’s listed sign. He suggested neon is unfairly judged on eco terms. Where lies the problem? The risk is confusion. LED products are marketed as neon. That diminishes value. Comparable to food and textile protections. If Champagne must be French, custom neon lights for rooms then neon should mean glass and gas.

The debate mattered beyond signage. Do we allow heritage skills to disappear? At Smithers, the stance is firm: authentic glow endures. So yes, Parliament discussed neon. The protection remains a proposal. But the case is stronger than ever. If MPs can recognise craft, so can homeowners. Look past cheap imitations. Support artisans.


When you adored this information as well as you wish to obtain more details relating to NeonCrafts Studio generously check out our webpage.